Katey Rich

Can you hear the crawdads sing? Or is that just our Nick Nolte impression? Our favorite Carolinian Katey Rich joins us to chat about Streisand’s 1991 adaptation of Pat Conroy’s bugnuts novel, a story that includes some serious ethical breaches made by alluring therapist Susan Lowenstein. Listen along as Katey shares some tidbits from the book that did NOT make the screen adaptation (a tiger, for example), Griffin relates to Jason Gould’s attempts to be sporty, and David offers his hot take that this is a better 90s therapy movie than Good Will Hunting. Read Katey’s writing Listen to Little Gold Men Join our Patreon at patreon.com/blankcheck Follow us @blankcheckpod on Twitter and Instagram! 

Voyager II may be approaching the “Termination Shock” (Ben’s new favorite phrase), but we’re on earth cherishing the otherworldly romance of John Carpenter’s STARMAN! Vanity Fair’s Katey Rich returns to discuss Jeff Bridges’ impressive performance, the illustrious career of Hollywood script doctor “Dinky” Dean Reisner, and the one sandwich that’s actually supposed to have paprika on it (whatever deviled egg thing Karen Allen orders at the diner in this movie). Join our Patreon at patreon.com/blankcheck Follow us @blankcheckpod on Twitter and Instagram ! Buy some real nerdy merch at shopblankcheckpod.myshopify.com

Now armed with an arsenal of wild special effects, Zemeckis takes it up a notch with 1992's Death Becomes Her – the first to include computer-generated skin on film. Katey Rich returns as we reminisce Bruce Willis putting effort in, irritating European monologues, the thrilling billing and why Meryl Streep and Goldie Hawn make a perfect cult pair. Subscribe to our patreon at patreon.com/blankcheck Follow us @blankcheckpod on Twitter and Instagram Merch is available at shopblankcheckpod.myshopify.com

Only Nora Ephron could make a rom-com where the leads interact for 2 minutes an instant classic. The BC crew makes a Tom and Meg inspired long distance call to Katey Rich (Vanity Fair) for Ephron's sophomore hit, Sleepless in Seattle (1993). We get into how rom-coms have risen and fallen, the lure of cool boat houses, and the enigma that is Chet Hanks.  For the month of June we will be spotlighting groups dedicated to and run by Black trans and non-binary people who need our help. This week's organization is: The OKRA Project

#thetwofriends welcome back Katey Rich (Vanity Fair) to discuss 2004's Cruise/Foxx thriller Collateral. Together they examine the initial casting of Adam Sandler as the cab driver, as well as, the entire cast's excellent performances, contemplate a coyote and more.

Katey Rich (Vanity Fair) returns to discuss 1987’s dramedy masterpiece, Broadcast News. But what journalist and news producer helped inspire and advise Brooks? What actress was originally the female lead but backed out last minute? Who is Charlie? Together they examine the careers of Holly Hunter, Albert Brooks and William Hurt, the amazing screenwriting and more! This episode is sponsored by WeTransfer.com and Casper ( casper.com/check PROMO: CHECK)

Griffin and David continue their discussion of Titanic with Emily Yoshida (Spin Magazine) and Katey Rich (Vanity Fair). But are Cameron’s drawings basic? Why is Neil deGrasse Tyson such a star bummer? Could a car really get THAT steamy? Together, they examine Paul Rudd as Jack, the STDs of 1912, CD-rom game Titanic: Adventure Out of Time and theorize why this is a mall movie.

Emily Yoshida (Spin Magazine) and Katey Rich (Vanity Fair) return to discuss 1997’s epic romance Titanic with special guest Charlie “the baby” Rich! Thats right, Blank Check has brought IN the women and children to our podboat to dive deep into some ice-cold analysis. But how important is water in Cameron’s life? What about Bill Paxton’s huge earring? Whats the artist’s name something Picasso? Together they examine Leo mania, the performances of Kate Winslet, Billy Zane, Victor Garber and the panel’s first time seeing this film including a diary entry and private planetarium date.

Joining Griffin and David on this week’s episode is special guest Katey Rich (Vanity Fair) to help examine Shyamalan’s 1999 breakout, career defining film: The Sixth Sense. How did this unknown writer/director convince Disney to pay him 3 million dollars for the script with the clause to direct? What is the significance of red in the movie? How did this same filmmaker go on to make Lady in the Water? Are there any SIGNS of what is to come!? Together, they discuss ghost logic, actor Toni Collette’s amazing performance, munchausen by proxy, the climate in cinema during 1999 and so much more! Plus, the gang nerds out on box office stats, Griffin revisits working with Trevor Moore on ‘Butt Whistle’ and Producer Ben presents his own original endings.